Mind Over Memory has a weekly invitation for sculpture photos. Last year, when we got home from our trip to the Middle East, we visited the Egyptian exhibit at The Field Museum in Chicago. These are sculptures – or sculpted wooden mummy cases. Royalty in ancient Egypt would encase their mummified loved ones in several of these cases. The wooden ones might be painted, while others were made of bronze or glass.
Small sculptures of gods would also be buried in the tomb to offer protection in the afterlife.
We took a boat ride around the islands at Aswan, Egypt, to see wildlife. There were mostly birds. These birds were mostly on top of rocks, so they fit the TOP theme of Becky’s month of squares! I see we have a similar topic today, Becky – except your bird is higher up!
I decided to include these last two bird pictures, even though they were not on rocks! (And I didn’t square them either!)
Kom Ombo Temple is probably my favorite of all the ancient Egyptian sites I saw on this trip. It has several interesting features that make it unique.
About 30 miles north of the city of Aswan, Kom Ombo is located in a region that has a large Nubian community that was resettled here after the construction of the Aswan High Dam, which flooded the area they had come from originally. I will write more about the Nubians in a future post.
The town of Kom Ombo has grown considerably in the last 35 years since its founding. It was an important town in ancient times because it was located at a convergence of trade routes to the Nile Valley, the Red Sea, and Nubia.The Temple of Kom Ombo is a double temple, to worship the gods Sobek (the crocodile god) and Horus (the falcon god). Both these gods were depicted, as Egyptian gods often were, as either an animal or a person with the animal’s head.
Kom Ombo Temple was built during the Ptolemaic era, between the 2nd century BCE and the 1st century CE. All the remains of the temple date to that period and later, although there has been evidence found of earlier structures, most notably an 18th Dynasty gateway.
The temple is called a “double temple” because it has two of almost everything, which allowed the priests to conduct equal worship rituals for two gods simultaneously. The southern part of the temple is dedicated to Sobek, the northern part to Horus. In addition, there is a small shrine dedicated to the goddess Hathor.
Crocodiles, sacred to Sobek, were worshipped here at Kom Ombo and were regarded as semi-divine. They were fed the finest foods, provided with golden earrings, and were even given manicures to gild their nails! Sacred crocodiles, when they were alive, were kept in the northwestern part of the temple. There is now a crocodile museum (included in the entrance ticket) adjacent to the temple where crocodile mummies and other artifacts are on display. We went there after our tour of the temple, but it was quite dark inside and we were not allowed to take photos anyway. However, here is one from a professional photographer.
The double entrance opens onto a large courtyard, the only shared space inside the temple’s boundaries. The entrance was oriented toward the river, facing roughly west.
There are two doorways from the courtyard to the outer hypostyle (columned) halls, inner hypostyle halls,
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a series of offering halls, and twin sanctuaries, for Horus on the left and Sobek on the right.
Mohamed showed us a calendar on the southwest wall of the Offering Hall, the first one we had seen.
Another interesting feature is on the back wall of the outer enclosure – carvings of surgical instruments. Surgical tools found at archaeological sites match those in these carvings – quite amazing!
Another common theme was food, either being offered to the gods by the pharaoh or depicted upon a table.
Some of the reliefs show deep carving, especially the largest figures which cover an entire wall. This is the foot of Horus…
…who is holding a staff and an ankh.
Behind him is a carving of Hathor, also holding a staff and an ankh.
Some of the feet show details of the toes, such as this one of Hathor’s foot – she has very long toes!
This temple was also known for being a place of healing. High up on a wall is a small doorway with a carved ear on either side. These “listening ears” are where people could go to tell the gods about their medical problems in hopes of healing.
Throughout the temple were reliefs amazing in their artistry and imagination.
This bas relief is an interesting one, containing several figures. In the center stands the king, surrounded by familiar gods. To the left are Hathor and Thoth (ibis-headed god); to the right are a lion and two images of Horus. The lion was a symbol of strength and mastery of the natural world when depicted alongside the king. This shows that the lion/pharaoh is the guardian of order, or Ma’at, which was an important concept for the ancient Egyptians. Some gods also assimilated leonine aspects, such as Horus.
Horus assimilated the god Tjel (a feline god), giving a lion image to a god almost always depicted as a falcon. That seems to be the symbolism of this remarkable image, which shows both the lion’s head and the falcon’s wings in motion. Right underneath the lion with wings is Horus in his true nature as a falcon.
The lion is often depicted as female, such as in this relief. This female feline goddess was eventually incorporated into a domestic cat goddess, Bastet.
Enjoy these additional photos of this fascinating and beautiful temple!!
Sources: Symbolism of the Lion in Ancient Egypt by Michael Fassbender The Temple of Kom Ombo on website Ancient Egypt Online. In this article,
Horus and Sobek are said to be in conflict, which is why the temple had to
separate them. I had not found this idea of conflict in any other source. Kom Ombo, Wikipedia. Fodor’s Egypt, 2009 edition
My own notes from information given to us by our guide
This afternoon we arrived at the narrowest stretch of the Nile, an area that the Egyptians called “Khenu” or the place of rowing. At Gebel Silsila, high sandstone cliffs come down close to the water’s edge.
The Temple of Horemheb is small and not well-known.
Nile cruise ships don’t stop here because they are too large to moor in this area.
The temple itself is not in great condition compared to others we had seen and would see over the next few days. It was interesting because of the different inscriptions, not just hieroglyphic writing, but also hieratic script, demotic writing of later times, with Greek influences, and Coptic script from early Christian times. Early Christians stopped here to shelter and escape persecution during the early years of Islamic reign in Egypt. They are likely the people who wrote some of the later-age inscriptions. For this reason, this site is of particular interest to epigraphic studies (study of inscriptions).
The temple dates from the end of ancient Egypt’s 18th Dynasty, during the reign of Horemheb, who dedicated the temple to Sobek (the crocodile god), …
Amun (pictured below, distinguishable by his large feather headdress),
…and other gods, including Thoth.
Thoth, in ancient Egyptian belief, was born with immense knowledge, the most important of which was the power of words. Although he gave this knowledge to humans, he expected them to take it seriously. The main purpose of writing was not decorative or literary. It was to provide a means to bring into existence concepts and events. If something was written, it could be “made to happen” again and again.
Frank Jansen at Dutch Goes the Photo has selected worship as his photo challenge theme for Holy Week. I share the sadness of the world for the devastating fire at Notre-Dame de Paris. But there are many holy places around the world that inspire awe where people worship.
Below are photos of worship from Judaism, Islam, Christianity, and the ancient Egyptian religion.
The ancient Egyptians had a pantheon of gods that they worshipped, and many of their temples contain images of pharaohs and others worshipping the gods.