Black Cat Alley, Milwaukee, Wisconsin: This alley near downtown Milwaukee has become a place for street artists to share their art. This mural includes a door to a formerly industrial building.
A converted warehouse complex in Lincoln, Nebraska has become an artists’ co-op, its outside walls decorated by local artists.
Cuba, Missouri is located on the famous Route 66 and a popular stop along the historic road. There are many murals throughout the town, depicting historical events (including the Civil War) and scenes of daily life.
Pontiac, Illinois is one of the first, or last, stops on Route 66 (depending on whether you are taking the historic road west or east), and as such caters to Route 66 tourists. Besides murals, there is a museum/shop containing all kinds of Route 66 memorabilia and you can visit the bus-converted-to-home of possibly Pontiac’s most well-known native son, Bob Waldmire, who traveled the Mother Road and lived in his bus-home for several years in the Arizona desert.
Whether real or painted, a door is still a door!
For mural/graffiti/street art connoisseurs, Beco do Batman (Batman’s Alley) in São Paulo, Brazil is a must-see. “Graffiti artists” have covered this residential neighborhood – walls, streets, doors, windows, anything paintable – with art!
Street artists in São Paulo find “canvases” for their artwork in many other places as well. These are found in the vicinity of Ibirapuera Park, a large park with museums, bike paths and other amusements.
For Cee’s Fun Foto Challenge with the topic Murals and Graffiti, I have a wealth of photos in my archives, because I love photographing public artwork! I include here a sampling of each location. Note that I have blogged about most of these places before, so there will be some duplicates.
Tucumcari, New Mexico: A town I had never heard of before has apparently achieved renown due to at least two songs about the town, and a novel set there. It’s a stop on Route 66.
Cuba, Missouri: This small town on Route 66 is famous for its murals, depicting historical scenes and events, and scenes of daily life. Many are scenes of the Civil War, but I have not included any of those here. Cuba is a “must-see” for any Route 66 trip!
Pontiac, Illinois: one of the last (or first, depending on which way you go) along Route 66. In Pontiac also is a good-sized museum and store selling all types of Route 66 memorabilia.
Black Cat Alley in Milwaukee, Wisconsin is an alley flanked by old industrial buildings, which has been converted into a “canvas” for local mural painters! Located in the downtown area, it is easy to get to and I would recommend it for anyone visiting Milwaukee that has an interest in mural art.
Lincoln, Nebraska is a surprisingly interesting city. I had never been to Nebraska before our 2018 road trip and since we like to visit capital cities, we spent a day there. There is a section of town we discovered by accident while finding our way to a restaurant recommended online. Across the street was an old warehouse converted into an artists’ co-op workshop with interesting art on the outside walls.
Denver, Colorado: We stayed at a fantastic Airbnb in the artsy part of town. On Tennyson St. (where the first of these photos were taken), they have weekly art fairs during the summer season.
Dubuque, Iowa – near the Mississippi River Museum
Des Moines, Iowa
In Amsterdam, Holland we took a private boat tour on the canals and harbor. We discovered several trailers painted in vivid colors.
Brazil is very rich in culture and teeming with artists of all kinds. The more famous ones display their art in galleries and museums. However, the street art is amazing, painted by very talented “graffiti artists.” In the city of São Paulo, there was literally art everywhere – you could barely walk one block without seeing street art.
For connoisseurs of “graffiti art” (although most of it is much more beautiful than graffiti), there is a neighborhood in São Paulo called Beco do Batman (Batman’s Alley) – wander its cobblestone streets to see an explosion of beautiful and/or humorous murals and sometimes political statements. The first two photos were taken outside Beco do Batman proper, which is residential – and we needed lunch so these were our view from the small café where we ate.
We have recently moved and so I have been going through a lot of stuff stored in our old house, including photos I took of my son, Jayme, when he was a child (he is now 34). I am sharing some of my favorites of the ones I have scanned, for this week’s VJ’s Weekly Challenge #62: Child/Childhood.
Playing in a kiddie pool with a neighbor, on a hot summer day in Milwaukee, Wisconsin, 1986
With his cousins
With his stepdad, my husband, Dale, who is teaching him how to check the tires of his bike, Des Plaines, Illinois, 1996 or 1997.
My grand-nieces Frances (age 3) and Sylvia (age 4) are cousins and (usually) friends. They play together frequently because both live in Madison. Their dolls are also their friends. Marcia and Dee are two friends from my church. We had dinner together in Evanston before attending a piano recital at Northwestern University.Finally, who’s a better friend than one’s spouse? Usually, anyway! Here are the two of us in a selfie taken at Mader’s Restaurant in Milwaukee, Wisconsin.
Ending with the James Taylor classic “You’ve Got a Friend.”
Artful Photos is a new feature that I am starting in 2018. I am going to publish a photo (or more than one) of artwork from museums that I have visited. I go to a lot of art museums when I travel, plus I am a member of the Art Institute of Chicago (which means I get in free, so I try to get to as many of the special exhibits as possible). Most art museums (though not all) do allow you to take pictures of the artwork as long as you don’t use the flash. I take photos of everything from classic European art to modern art, sculpture to artistic everyday objects, and artwork from around the world. I have posted a few of these previously on my blog.
I will publish Artful Photos every weekend. If you would like to participate by adding a link to your own photos of artwork, that would be awesome! Then we would all get to enjoy many kinds of art each week!
I am going to start with a series of Haitian paintings and metal sculptures that I photographed at the Milwaukee Art Museum (MAM) when I was visiting last November. The Haitian art is part of the museum’s permanent collection and has been there since 1991, when a Milwaukee businessman and his wife donated the Haitian art they had collected since 1973, to the museum.
It is well worth a visit if you happen to be in Milwaukee. Plus, the building itself is a wonder of modern architecture,
designed by Salvatore Calatrava. (He also designed the Museum of Tomorrow in Rio de Janeiro; I posted several pictures from that museum, including the architecture, last year.)
Haitian art has a complex tradition. It combines characteristics from native populations that occupied the island of Hispaniola prior to European colonization with African and European elements. It is usually very colorful and detailed, depicting scenes of Haitian life or religious figures from the vodoun (vodun, formerly known as voodoo) tradition native to Haiti.
This religious tradition has its origins in West Africa, from where slaves were brought to the island nation. With the introduction of Christianity, a blending of elements from both African and European religions, called syncretism, became the expression of religious practice in Haiti. Haitians are mostly practicing Catholics, but their symbols and rituals combine both African and Catholic traditions. For example, the Catholic saints each have also a vodun name and are said to be influential for certain purposes, usually similar ones in both religious traditions.
Three “schools” of Haitian art are presented here. The Southern school, based in Port-au-Prince, is represented by Hector Hyppolite, who mostly deals with the subject matter of Vodun. The Northern school is typically more secular and historical, such as the work of Philomé Obin, in the northern city of Cap-Haitien. The production of steel drum sculptures is located in the northeastern suburb of the capital, Croix-des-Bouquets.
The art of Haitian steel sculpture comes from the town of Croix-des-Bouquets, an eastern suburb of Haiti’s capital Port-au-Prince. The sculptures are made from 55-gallon oil drums that companies used to dump in this impoverished town, along with industrial waste. In the 1940s, a local blacksmith combined the metal from these drums with iron bars to make elaborate metal crosses for the cemetery. Thus he turned waste into something useful and a new tradition was born. Once small and forgotten, Croix-des-Bouquets now bustles with artisan activity. The sounds of hammers and other tools emanate from almost every home.
The language of Haiti is French Creole, which has influences from several languages, especially French. A small minority of educated members of the upper class in the capital also speak standard French, but the vast majority of Haitians speak only Creole.
Haitian art came to international attention in 1944, when American artist DeWitt Peters opened the art school Centre d’Art in Port-au-Prince. The art school allowed artists from all over Haiti, both trained and untrained, to come together to make art and share their ideas.