Journey to Egypt, Part 8: Luxor Temple

December 26, 2018

Luxor Temple, in the heart of Luxor city center, is much smaller than Karnak, making it easier to see and digest. We visited after dark, around 6:00 pm. Mohamed said it is more striking at night and he was right. Luxor Temple was almost right across the street from our hotel, Sofitel Winter Palace and we passed it every time we went anywhere.

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1st Pylon with Ramses II colossi in front. The obelisk also represents the king. Originally there were two obelisks; one of them was given to France.

 

Luxor Temple was built mostly during the 18th Dynasty; the construction started in 1390 BCE during the reign of Amenhotep III and added to by Ramses II a hundred years later. Other pharaohs added to it until 323 BCE. It is probable that this temple stands on top of a Middle Kingdom predecessor and the builders may have used some of the materials from that temple to build this dedication to the Theban Triad of Gods -Amun-Ra (a combination of the creator god, Amun and the god of sun and light, Ra), Mut (goddess of queenship) and Khonsu (moon god) as well as to the cult of Ka (the royal spirit).

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On the outer wall of the First Pylon is a barely visible of a scene of the Battle of Qadesh, a campaign that Ramses II waged against the Hittites of Syria.

 

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The ancient Egyptians called this temple Ipet–resyt (Southern Harem) and it was the partner of Karnak four miles away. The late summer Opet festival involved a procession of priests bringing the ceremonial boat of Amun-Ra from Karnak to Luxor. The Avenue of the Sphinxes connected the two temples but was not built until the reign of Nectanebo I, who ruled from 381-362 BCE.

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The statue of Ramses II at left wears the double crown – what is known as the “white crown” is the taller one with sort of a nob on the top; the “red crown” surrounds the bottom of the white crown. The crowns symbolize Upper and Lower Egypt, so the double crown signifies that Ramses II was king of all Egypt.

 

Alexander the Great (356-323 BCE, during the Greek dominance of Egypt) added to it by building a sanctuary for Amun-Ra’s sacred barque.

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In the forecourt beyond the First Pylon is one of originally two seated colossi of Ramses II. The other seated statue is at the Louvre in Paris.

On the side of the seated king’s throne is a partially damaged carving.

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Peristyle Court of Ramses II, a double row of closed papyrus columns with statues in between representing the king. Behind it is a shrine originally built by Queen Hatshepsut which Thutmose III later took credit for, by crossing out her image and cartouches and replacing them with his own.

20181226_182950d.jpgDuring the Roman period, the temple was made into a fortified camp. During the 4th century CE (AD), Christian rule banned all pagan cults and several churches were built inside the temple. One of them survived and became the Abu al-Haggag mosque in the 1100s CE. Locals refused to let it be torn down during the excavation of Luxor temple, so it still stands today and continues to be used as a place of worship and study.

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A seated colossus of Ramses II and the carving on his throne.

At the base of the throne is this carving.

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The Colonnade of Amenhotep III, with two rows of seven closed papyrus columns20181226_182515d
Statues of Amun-Ra and Mut, carved during the reign of Tutankhamun, which Ramses II later usurped.

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Hall of Columns (Hypostyle Hall) of Amenhotep III with closed lotus columns20181226_184739
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Like at Karnak, there are carvings of captives, such as the Nubians – you can tell by their facial features, which in this case are clearly African. The Nubians live in southern Egypt and northern Sudan; they were conquered by Ramses II.
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Syrian captives are also pictured.
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This carving depicts food offerings to the gods. Many kinds of food can be identified in this well-preserved carving.
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These statues are of Ramses II and his beloved wife Nefertari.
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Inside a sanctuary, there are carvings of the sacred barques (boats) of Amun-Ra.
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Traces of color are still visible on this interior wall.
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Well preserved hieroglyphic carvings in granite, including cartouches, which no doubt contain the names of royal rulers. It is difficult to decipher hieroglyphic writing until you know what to look for. The Egyptians wrote from left to right, right to left, top to bottom, bottom to top or even starting in the middle! This was done purposely to make their writing into sort of a code. Only people of high status learned to read and write.
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Next: Valley of the Kings and the tomb of Tutankhamun!

 

A Photo a Week: Contrasting Colors in Nature and by Design

Nancy Merrill’s A Photo a Week challenge this week is about contrasting colors, using a color wheel which shows which colors contrast with each other.

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In art, we often see paintings with colors that seem to pop out of the image. An artist may use what are called “complementary colors” (contrasting colors) to emphasize something in an image, such as an orange flower against a blue sky, or to create interest using contrasts. Here is an example by Georgia O’Keeffe, called “Trees in Autumn” (1920/21 oil on canvas, at Georgia O’Keeffe Museum in Santa Fe, New Mexico).
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Here’s a photo I took of a tree in autumn.
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As one can see from the color wheel above, the primary colors (blue, red and yellow) are matched with secondary colors (green, orange and purple) which provide the greatest contrast. Blue is matched with the secondary color that is created by combining the other two primary colors (red and yellow). Thus:

Blue’s complementary color is orange.
Red’s complementary color is green.
Yellow’s complementary color is purple.

Weavers are very adept in using contrasting/complementary colors to create colorful patterns. This is a close-up of a Peruvian woven sling I use to carry my water bottle. Note the green stripe against pink on one side and maroon on the other (both versions of red), or the blue stripe in the middle surrounded by orange stripes.
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Nature is also excellent at creating contrasts:
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We see this same contrasting beauty in architecture, such as Dome of the Rock in Jerusalem, Israel, with its famous golden dome contrasting with the blue sky and with the blues in the tiles on the walls. The artist(s) who created these lovely patterns with tiles had an innate sense of contrast, making the designs of the whole building stand out, impressing viewers.
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The Christmas season is represented by red and green, which naturally complement (or contrast with) each other, making holiday decorations pleasing to look at.
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RDP: Panoply of Animals

I didn’t set out to collect little animals, but in truth I love collecting little things from different cultures, and animals are universally loved. I have collected small animal figures from Mexico, Brazil, Tanzania and others that I have either acquired or inherited.

I tried to fit most of them on one shelf for this photo.
20180923_153317_001Behind this animal panoply are portraits of my parents (in the middle – the woman with the pink hat and scarf is my mother, and next to her is my father), Dale’s parents (black & white photo on the right) and my great-grandparents in back on the left.

The animals include alebrijes (whimsical,colorful animal carvings from copal wood in the state of Oaxaca, Mexico); several ceramic birds as well as a small snail, mostly from Mexico; and black clay animals (including an armadillo, two birds, and a turtle) all of which are whistles, also made in Mexico by an elderly potter in the late 1960s who claimed to be the daughter of a Mexican mestiza woman and a French soldier – she had blue eyes.

On the left, in front of the portraits of my great-grandparents, is a fish made out of a gourd. I bought this in northeastern Brazil. It was made by an indigenous artist from the Amazon region.

The birds mounted on wood in the front at left (a loon and two other birds) are ceramic and were inherited from my mother. At right, a rather fearsome beaded animal is a lion, made by Maasai women in Tanzania. Next to the lion are two small turtles, part of a turtle collection that belonged to a woman from my church who died and asked that at her memorial service, the attendees should select one or two from her collection as a remembrance of her.

Next to the lion, a strange sort of dragon-looking green ceramic creature with horns, long fangs and white spikes along its back is a hodag. This legendary animal originated among the lumberjacks of northern Wisconsin, and it became the official symbol of the town of Rhinelander. The story goes that some of the seasoned lumberjacks built a hodag out of some realistic-looking material which resembled a reptile, and somehow rigged it to move its tail and eyes. They placed it in the woods to be “discovered” by the newbie lumberjacks, and according to the story, it worked! The rookies were scared of this animal they had never heard of before, at least at first.
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As they looked more closely at it, they realized it was fake, but the legend stuck and the hodag became famous in those parts. My family home had several hodags – either ceramic or stuffed. My mother had spent part of her girlhood in Rhinelander!

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This hodag greets visitors to Rhinelander, Wisconsin.

My most recent acquisition is a green, white and red striped snake, coiled in front of my mother’s portrait. I bought it yesterday at a Craft Fair hosted annually at my church. The sculptor, a young, rather shy man named David, had a display of lots of his fanciful clay animals, many with two heads! I asked if he let them harden naturally or fire them in a kiln. He said he bakes them in his oven!

These are the stories of my panoply of animals. I probably will continue to add to it as I find others that strike my fancy!

RDP: PANOPLY

 

Treehouse: Oddball Thursday Doors

When I saw this tree, I thought of the stories of my childhood, where families of rabbits or squirrels wearing human clothing, lived.  I discovered it on one of my walks on a local walking path, which passes a couple of private homes. Someone has used the contours and scars of this tree trunk to fill in the spaces with itty-bitty doors and windows, adding details such as miniature picket fences and chimneys made of odd objects. I couldn’t resist posting this for Norm’s Thursday Doors and Cee’s Oddball Challenge.

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Perhaps this is more like a tree apartment building!
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Any minute I expected one of the tiny doors would open and Mama Rabbit in her apron would appear!
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The chimney on this one is very clever!
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Now I admire it every time I go by and the ingeniousness of its creator!

RDP #82-83: Peru 2008

Ragtag Daily Prompt #82 (yesterday) was yarn. RDP #83 (today) is remember. I decided to combine them in these photos, remembering our trip to Peru ten years ago!

We visited a place outside of Cuzco that had wonderful woven things for sale, but was also a cooperative, where artisans did their weaving.

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My husband took this photo of me in front of a display of different kinds of yarn.

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Weaver at the co-op

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Weaver

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Several days later, in Cuzco, we passed many shops with woven items for sale on display.

If you look back in my archives, I did a series of posts about our trip to Peru.

Artful Photos Debut! – Haitian Art

Artful Photos is a new feature that I am starting in 2018. I am going to publish a photo (or more than one) of artwork from museums that I have visited. I go to a lot of art museums when I travel, plus I am a member of the Art Institute of Chicago (which means I get in free, so I try to get to as many of the special exhibits as possible). Most art museums (though not all) do allow you to take pictures of the artwork as long as you don’t use the flash. I take photos of everything from classic European art to modern art, sculpture to artistic everyday objects, and artwork from around the world.  I have posted a few of these previously on my blog.

I will publish Artful Photos every weekend. If you would like to participate by adding a link to your own photos of artwork, that would be awesome! Then we would all get to enjoy many kinds of art each week!

I am going to start with a series of Haitian paintings and metal sculptures that I photographed at the Milwaukee Art Museum (MAM) when I was visiting last November. The Haitian art is part of the museum’s permanent collection and has been there since 1991, when a Milwaukee businessman and his wife donated the Haitian art  they had collected since 1973, to the museum.

It is well worth a visit if you happen to be in Milwaukee.  Plus, the building itself is a wonder of modern architecture,

 

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MAM is on the right – the boat-like structure. 

designed by Salvatore Calatrava. (He also designed the Museum of Tomorrow in Rio de Janeiro; I posted several pictures from that museum, including the architecture, last year.)

 

 

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Laurent Casimir (1928-1990), “Crowded Market (Ampil Moun Nan Mach),” 1972; oil on masonite

 

Haitian art has a complex tradition. It combines characteristics from native populations that occupied the island of Hispaniola prior to European colonization with African and European elements. It is usually very colorful and detailed, depicting scenes of Haitian life or religious figures from the vodoun (vodun, formerly known as voodoo) tradition native to Haiti.

 

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Rigaud Benoit (1911-1986), “Flower Carnaval (Flè Kanaval),” 1973; oil on masonite

This religious tradition has its origins in West Africa, from where slaves were brought to  the island nation. With the introduction of Christianity, a blending of elements from both African and European religions, called syncretism, became the expression of religious practice in Haiti.  Haitians are mostly practicing Catholics, but their symbols and rituals combine both African and Catholic traditions. For example, the Catholic saints each have also a vodun name and are said to be influential for certain purposes, usually similar ones in both religious traditions.

 

 

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Serge Jolimeau (b. 1952), “Demon,” 1977; cut and forged metal

Three “schools” of Haitian art are presented here. The Southern school, based in Port-au-Prince, is represented by Hector Hyppolite, who mostly deals with the subject matter of Vodun. The Northern school is typically more secular and historical, such as the work of Philomé Obin, in the northern city of Cap-Haitien. The production of steel drum sculptures is located in the northeastern suburb of the capital, Croix-des-Bouquets.

 

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Rigaud Benoit, “Recall of the Dead (Rele Mò),” 1973; oil on masonite

The art of Haitian steel sculpture comes from the town of Croix-des-Bouquets, an eastern suburb of Haiti’s capital Port-au-Prince. The sculptures are made from 55-gallon oil drums that companies used to dump in this impoverished town, along with industrial waste. In the 1940s, a local blacksmith combined the metal from these drums with iron bars to make elaborate metal crosses for the cemetery. Thus he turned waste into something useful and a new tradition was born. Once small and forgotten, Croix-des-Bouquets now bustles with artisan activity. The sounds of hammers and other tools emanate from almost every home.

 

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Serge Jolimeau, “Sagittarius (Sagitè),” date unknown; cut and forged metal

 

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Haitian Vodun banner (Danbala) (Drapo Vodoun), 20th century; sequins and beads on cloth

The language of Haiti is French Creole, which has influences from several languages, especially French. A small minority of educated members of the upper class in the capital also speak standard French, but the vast majority of Haitians speak only Creole.

 

 

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Philomé Obin (1891-1986), “Outdoor Dance (Dans Nan Deyò),” 1958; oil on Masonite

 

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Serge Jolimeau, “Peristil (Peristil),” ca. 1977; cut and forged metal

Haitian art came to international attention in 1944, when American artist DeWitt Peters opened the art school Centre d’Art in Port-au-Prince. The art school allowed artists from all over Haiti, both trained and untrained, to come together to make art and share their ideas.

 

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Gerard Valcin (1927-1988), “Ceremony in Vodun Temple (Seremoni Nan Tanp Vodoun),” 1963: oil on masonite

 

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Hector Hyppolite (1894-1948), “Black Magic (Magi Nwa),” ca. 1946; oil on board

 

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Gerard Valcin, “Communal Fieldworkers [Konbit] (Konbit Travayè [Konbit]},” 1971; oil on masonite

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Hand Made in Guatemala and Peru

I’m sure many of the beautiful, colorful clothes and other items that one can buy in Guatemala are made in factories these days. But you can usually tell when something is made by hand. For Nancy Merrill’s Photo a Week theme “Hand Made,” this is a quilt I saw for sale during my day trip in Guatemala:
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I didn’t buy it, just admired it! I did buy the piece below, which I bought in Peru in 2008 and is now hanging on the mantle in my living room. It was made by the Uros people, who live on floating islands made of reeds in Lake Titicaca. 20170915_111528

I have always loved and admired folk art, perhaps more so because I completely lack the talent to do beautiful handiwork like these artisans do.

Curitiba: Feira do Largo da Ordem

Curitiba, November 13, 2016

Another cool day.  Eliane drove us to the Feira do Largo da Ordem downtown – Carlos didn’t go with us because he hates crowds.

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And crowded it was! This feira is a crafts market which takes place every Sunday from 9 am to 2 pm, with well-made craft items, some beautiful, cute or clever.  It is located in the center of the Historic District next to the Presbyterian Church and Tiradentes Square. According to its web site, an average of 15,000 people visit the fair every  Sunday. Sometimes there are expositions of antique cars and the fair is very convenient to having lunch at one of the surrounding restaurants.  Besides craft items including hand made jewelry, paintings, items for the home and novelties, there are also antiques and old books and magazines for sale.  My husband and I both bought t-shirts, and I also bought a tote bag with an araucária (Paraná pine tree) imprinted on it.

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On the left, a doctor is giving a prostrate exam and on the right, a woman is having a gynecological exam. In the foreground is a miniature of a dentist’s office and patient.

Free samples of cube-shaped gummy candies were being offered at one booth – I liked them because they were soft but don’t stick to your teeth.  We sampled many different flavors but in the end I bought only two small packages of cachaça-flavored gummies, which will make unique souvenirs.  I also bought a small jar of mango-passion fruit jam, not too sweet.

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I tried on a Harry Potter “sorting hat”!

Meanwhile, my husband Dale (who took most of these pictures) noticed the towers of a mosque behind the booths and went to investigate. He photographed the mosque which was just behind the fair – I don’t know why we hadn’t noticed it when we were in this same area the day before!

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The mosque, too, was crowded!

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As we were leaving, we passed a booth selling items made of metal and…

20161113_134825…a guy selling little insect-like wire things that you press down on to make them jump.  I smiled, thinking they were clever, and wish I’d bought a couple for my cat!

 

Curitiba’s Historic District

November 12, 2016

Our plan today was to walk around the Setor Histórico downtown.  Although it was cool, rain was no longer in the forecast.

First we stopped at Clube Curitibano, which I wrote about in another post.

Leaving the Clube Curitibano property, we walked through a plaza of white and black mosaic tiles, lined with colorful colonial style buildings (some original, some newer) and down similarly paved streets, with few cars going through.

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Historic center view – photo by Dale Berman

There weren’t many people on the streets either, probably partly because of the weather but mainly because it’s a holiday weekend. Tuesday is 15 de novembro, a national holiday, and many people take Monday off to make a 4-day weekend so they can go out of town.

Largo da Ordem square

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A grey building with a tall cupola topped with a cross was the Presbyterian Church, built in 1934.  Eliane’s grandparents and I think her parents too were married in that church, although the family is not religious and doesn’t attend regular services.

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Presbyterian Church, built 1934

One of the plazas in this area, Largo da Ordem, has a large round flower clock in the center that really move around it tell the time.  On one side of the plaza are original old buildings and on the other side are only old-style buildings – replicas of colonial buildings.

The historic buildings are always the most colorful.

Largo da Ordem with flower clock

We saw another church, light blue with Portuguese tiles bordering the doorway, simply decorated inside.

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Colorful mural

Colorful murals on the side of a building

On the far side of Largo da Ordem, on Doutor Claudino Street is the modern Memorial da Cidade, built in 1996 to resemble the typical araucária pine tree of Paraná. Inside this structure, lit by the open skylight roof, are expositions and shopping stands.

Eliane looks at craft items for sale inside the Memorial da Cidade.

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In a way it reminded me of the shopping exposition in Patio Batel mall – a large, round room containing many independent vendors and a musical group – well, actually it was only a DJ while we were there, but there is a tiny raised stage for musicians, front by large white letters ELIXIR.

A winding metal stairway leads to temporary art exhibits – in this case, wood-carved busts and statues of famous people, a photography exhibit and modern art by an Afro-Curitiban artist.

At the end of the hall with the photography and modern art were two altar pieces from the Capela dos Fundadores and a ceiling mural.

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We looked down on the shopping vendors on the ground circular floor from the open second floor; through the window behind us we could see a mural behind the German restaurant next door.

Looking down on the vendor tables.

Entrance to German restaurant next door.Rising upward from the lower level and reaching as high as the upper level was a large metal statue of a dragon-like creature made of wire.

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Leaving Memorial da Cidade, we walked down Largo da Ordem, taking pictures of the colorful Portuguese colonial style buildings and balconies.  Balconies decorated with beautiful flowers.We came to another church, Igreja da Ordem, dating from 1737, very simple in style both outside and in.

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Igreja da Ordem, built 1737, the oldest standing place of worship in Curitiba. It was restores in 1880 and in 1978, year of the first Festa da Ordem.

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Interior of Igreja da Ordem. Dale took this photo before I told him not to take any more inside.

Although it didn’t say photography was forbidden, I didn’t take any pictures inside and told Dale not to because people were in the church praying in quiet solitude, and I doubted they would appreciate hearing the clicking of camera shutters.

Across from this church stands the city’s oldest building.  We didn’t go inside, although it had some historical information on display – Eliane didn’t want to linger because she thought it might rain.

Curitiba's oldest building, now a small museum.

We eventually got to Praça Tiradentes, but didn’t stop to look at the statues of Brazilian heroes, and the Catedral Metropolitana. 

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Praca Tiradentes with tourism bus stopped in front

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Decoration over the door

Catedral Metropolitana – detail over entrance

The cathedral’s peach-colored façade is highlighted by an arched doorway striped in red and blue with a round stained glass window above it.  We didn’t take pictures inside it, either, because a mass was going on. Although its altar was more elaborate than the other churches around there, it was also not as gold and grandiose as you find in churches in Bahia, remarked Eliane.

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Taking pictures in front of the cathedral (photo by Dale Berman)

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We walked by Rua das Flores but didn’t walk down it.

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Rua das Flores

We entered another old building, the Paço da Liberdade,  and went to a coffee shop-school (a training school for baristas), called Café do Paço, which was the subject of a previous post.

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Paço da Liberdade

The building used to be the seat of the municipal government, but now it is preserved as a national, state, and local monument and currently houses a cultural center. In the coffee shop, we had elegantly prepared coffees and pastries.  We took turns with the guys going up to the third floor to go to the bathrooms – and each floor had many steps, but we walked rather than take the elevator!

Next: Mercado Municipal

Alaska 2016: Skagway and Haines

When we woke up this morning, the ship didn’t appear to be moving. I went out on the verandah to see where we were. In front of me, instead of a dock with some sort of city visible around it, there was a sheer rock face! On the rock face were advertisements for cruise ships which looked as though they were actual notices that had been plastered onto the rock. Perhaps they were painted on, but in that case they were extraordinarily realistic. Below was a long train and a long line of people waiting to board. I guess that excursion had an early departure!

Shipping notices on the side of a cliff

This excursion was leaving early.

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Skull among the notices

The excursion we had signed up for today wasn’t leaving until 1:30 so we had plenty of time to go into Skagway where we did some shopping and went to the library to get free Wi-Fi.  Like yesterday, I checked and responded to some email, updated our trip on Facebook and read other Facebook posts, and synced my FitBit.  Two days in a row of over 10,000 steps!

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I was surprised to find a piano at the public library! One of the sign tells all about this piano, a Chickering Victorian Parlor Grand Piano, which is on loan to the Skagway Public Library. Another announces Piano Sundays at the Public Library, where people can come and listen or play from 3-5 pm.

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Colorful downtown Skagway

Laden with shopping bags, we returned to the ship to drop them off and Dale went to have something to eat at Lido.  Since the excursion was supposed to include lunch, I didn’t go with him.  I wrote in my journal and forgot to charge my phone.

At around 1:45 we boarded a ferry from Skagway to Haines, a 45-minute ride, although the two towns are only 14 miles apart.  To drive between them would require entering and leaving Canada and would take four hours!  Needless to say, most people go between them by ferry.

Tucker was our guide on the ferry and talked about the geography and geology of the area, pointing out photo opps of waterfalls, and there were several.  All of them are created by glacier melt and the water is so cold that it takes awhile for it to mix into the sea salt water.  He promised to talk about history on the way back.

Morning fog drifts through the mountains near Skagway/Haines

Fog continues to drift over the mountains.

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A glacier-fed stream high in the mountains produces waterfalls like this.

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When we got to Haines, a vivacious young woman named Meredith took over as our guide on the bus to Klukwan, a Tlingit traditional knowledge camp.  Meredith would love to live in Alaska year round, but once the summer tourist season is over, she’ll go back to Park City, Utah, where her husband runs a restaurant.  Besides tours like this, she also takes tourists on rafting trips on the Chilkat River, her favorite part of her job.

Welcome to Haines

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Photo by Dale Berman

The Chilkat River ran along much of our route, a silty, gray, glacier-fed river that looked shallow. Meredith said that the river changes every day – today there is a sandbar island, tomorrow it’ll be gone.  This constant change is why she likes it – there’s always a challenge.  The salmon run up this river to return to their birthplace to spawn.  The route is many miles long.  Fishermen commonly net salmon at the beginning of this route, where the river meets the sea, just before the salmon begin their tireless journey.

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People around here live simple lives, Meredith said.  They are too isolated to be able to depend on the availability of the Internet, for example.  Stores close at 8 pm and are closed on Sundays.  So if you don’t have your own vegetable garden and you want a fresh salad on Sunday or after a work shift that ends in the evening, you’re out of luck.

Haines is spread out over several miles, in spite of its small population, so as you’re driving through it, it doesn’t look like much.  Yet they have four hardware stores, several restaurants, a hotel, several B&Bs, and of course plenty of bars!  Meredith pointed out these establishments as we passed and told us her favorite restaurants.  Her enthusiasm for this place was quite admirable.  I could definitely see her settling down here permanently.  She is probably a better advocate for Haines than some of its full-time residents.

In Klukwan we met Elsie (her English name) of the Raven clan.

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Elsie holds up a jar of pickled salmon.

There are two main clans here, the Raven and the Eagle and descent is matrilineal.  It is prohibited to marry into the same clan – an Eagle must marry a Raven and vice versa.  Under each of the main clans are about six subclans, including Wolf, Turtle, Bear and others – 3 for each of the two main clans.  The symbols for these clans are depicted on the side of their community center, with Raven and Eagle on top, and the 6 subclans under their respective main clan.

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New buildings are being constructed here, expanding their community outreach.  We saw the smoke house and the drying shed, where salmon are smoked and then dried into a sort of jerky, and a lumber workshop, where we met Elsie’s brother Jack.  He showed us how he uses an adze to prepare wood for carving.  He has several adzes of different sizes, all hand tools – nothing mechanized!

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The smoke house

Elsie's brother Jack works in this wood shop.

Jack shows how he uses his adzes to carve the wood.

Here's the beginning of a salmon carving.

Someone has begun a carving of a salmon.

In this work shed, there is a large canoe which would be powered by 15 paddlers.  He told us how it was made and painted and what the designs on the side meant.  The most interesting part of the process of constructing the canoe (as well as boxes made all of one piece of wood) was the procedure called “steaming.”  The woods used include birch and cedar, soft woods that are malleable so they can be manipulated when heated.  To steam the wood, hot water is put into the canoe and hot rocks added to keep it hot, until it boils, thus softening the wood allowing it to be pulled apart.  When cooled, the wood hardens in its new shape.  The canoe was carved from a large log and the steaming allowed the sides to be pulled further apart to allow slats to be inserted where the rowers would be seated. This made the canoe more comfortable to sit in but also made it more stable.

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Elaborate artwork on the front of the canoe

Totems, house posts, weavings and paintings tell stories to people about the people who live there and have made the objects.  Since the Tlingit didn’t have a written langue until recently – and it was the Russians who first assigned an alphabet for their language, although they now use our alphabet, not the Cyrillic alphabet – these images were their way of communicating non-verbally and leaving a legacy.

Furthermore, they have a rich oral tradition through stories, songs and dances.  The group of Tlingit, including Elsie and Jack, performed dances and songs for us.  We were allowed to take pictures but not videos, because these are considered tangible property, subject to a sort of copyright.  The stories, also, can be quite elaborate and must be told very precisely, using the correct wording to avoid changing or reinterpreting the original story.

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Jack put on his dance regalia and was joined by three women, including his sister (Elsie), his granddaughter and another member of his clan, in the dances performed in the long house.  In the back of the house is a screen covered with painted symbols which would be their version of a mural.  The dancers emerged from behind this screen.  We, the audience, sat on benches on three sides of the space in the front (near the door).

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We were allowed to take pictures*, but not videos, because their songs and dances belong to the tribe, like a copyright.  However, we were allowed to take a video of the last song:

House posts told the stories of their family.

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KODAK Digital Still Camera

From there we were taken to an exhibit hall – a small museum – in which no photography was allowed.  On one wall was a map of the area, with all the Klukwan Tlingits’ historical villages marked and named. Their subsistence lifestyle in the modern world was displayed with photographs and informational placards.  There was a large totem pole.  Elsie took us into another room where there were two poles, or posts, and told us elaborate stories that these posts depicted.

We were allowed to take pictures in the gift shop, however, which had several beautiful carvings.

Tlingit masks

I'm not sure how these would be used - snowshoes perhaps?

In the shop are many handmade carvings.
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Meredith believes the Klukwan Tlingit have been successful here because their lifestyle is not so different from the subsistence lifestyle of Haines in general, and they have been readily accepted.

After we ate, we got back on the bus and went to visit the Bald Eagle Sanctuary.  There are bald eagles, of course, but also owls and a red-tailed hawk that had belonged to a falconer who retired and the hawk, having been raised with humans, could not be sent into the wild.  Two female bald eagles, Bella and Vera (I’m not sure if Vera is the eagle’s name) can’t fly due to damage to their right wings.  One was hit by a truck and the other electrocuted by an electric power line.  They have a large enclosure and a series of perches, like steps, that they can ascend to reach their favorite lookout spot where they can observe the world outside.  The workers there called it “bird TV!”

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The bald eagle "sisters" at their favorite lookout!

The bald eagle “sisters” at their favorite lookout!

We got back to Skagway and our ship around 8 pm and once again we went to the dining room for open seating.  After dinner we were tired and retired to our stateroom, as there was no show that night that interested us.

Each night, our steward would leave a folded towel animal, complete with “googly eyes!” This is what we found on our bed after dinner:

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*Photos of the dances, with the exception of the video, were taken by Dale Berman. The photos of the hawk and owl were taken by Dale Berman. All others taken by yours truly!