SYW: Bugs, Inspiration, & More

I’m starting off the new week with Melanie’s Share Your World.

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QUESTIONS: 

If not now, then when?
This is the story of my life: Procrastination!

Can you describe your life in a six-word sentence?
No, I don’t think I can.

Do you remember that thing people used to say, about how you swallow eight spiders a year while you sleep? It’s not true, but do you think you’ve ever swallowed any? What bug do you think you’ve eaten the most of by accident?
Yuck! I hope none! Although I probably have inadvertently swallowed a gnat, since there always seems to be one around me.

I have eaten bugs, but it was intentional, sort of. In Oaxaca, Mexico, I was dared to eat chopped up fried grasshoppers that had been served as a complimentary appetizer at a restaurant! I did take a very small bite, and lived to tell the tale, although I don’t remember how it tasted. I don’t want to ever do it again! But the people I was with cheated me – they said if I tried it first, they would all then try it. But they didn’t. How gullible am I???

What’s the best approach to resolving conflict?
Calmly.

Where do you find inspiration?
By inspiration, do you mean inspiration to do something creative? Or do you mean spiritual satisfaction? If to do something creative, then I say in nature mainly. But sometimes something just comes to me and I have the urge to be creative – like certain books make me want to write. But for spiritual satisfaction, I am inspired by singing, mainly as part of an ensemble like a choir. Appropo here is a song that I have posted before, but it is definitely worth repeating: (Lyrics below)

“How Can I Keep From Singing?”

My life goes on in endless song
Above earth’s lamentation
I hear the real, though far-off hymn
That hails a new creation

Through all the tumult and the strife
I hear its music ringing
It sounds an echo in my soul
How can I keep from singing?

While though the tempest loudly roars
I hear the truth, it liveth
And though the darkness ’round me close
Songs in the night it giveth

No storm can shake my inmost calm
While to that rock I’m clinging
Since love is Lord of heaven and earth
How can I keep from singing?


When tyrants tremble in their fear
And hear their death knell ringing
When friends rejoice both far and near
How can I keep from singing?

In prison cell and dungeon vile
Our thoughts to them are winging
When friends by shame are undefiled
How can I keep from singing?

A Photo a Week: Contrasting Colors in Nature and by Design

Nancy Merrill’s A Photo a Week challenge this week is about contrasting colors, using a color wheel which shows which colors contrast with each other.

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In art, we often see paintings with colors that seem to pop out of the image. An artist may use what are called “complementary colors” (contrasting colors) to emphasize something in an image, such as an orange flower against a blue sky, or to create interest using contrasts. Here is an example by Georgia O’Keeffe, called “Trees in Autumn” (1920/21 oil on canvas, at Georgia O’Keeffe Museum in Santa Fe, New Mexico).
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Here’s a photo I took of a tree in autumn.
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As one can see from the color wheel above, the primary colors (blue, red and yellow) are matched with secondary colors (green, orange and purple) which provide the greatest contrast. Blue is matched with the secondary color that is created by combining the other two primary colors (red and yellow). Thus:

Blue’s complementary color is orange.
Red’s complementary color is green.
Yellow’s complementary color is purple.

Weavers are very adept in using contrasting/complementary colors to create colorful patterns. This is a close-up of a Peruvian woven sling I use to carry my water bottle. Note the green stripe against pink on one side and maroon on the other (both versions of red), or the blue stripe in the middle surrounded by orange stripes.
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Nature is also excellent at creating contrasts:
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We see this same contrasting beauty in architecture, such as Dome of the Rock in Jerusalem, Israel, with its famous golden dome contrasting with the blue sky and with the blues in the tiles on the walls. The artist(s) who created these lovely patterns with tiles had an innate sense of contrast, making the designs of the whole building stand out, impressing viewers.
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The Christmas season is represented by red and green, which naturally complement (or contrast with) each other, making holiday decorations pleasing to look at.
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86% Totality

On Monday, August 21, 2017, many people across this country were excited to get a look at the solar eclipse.  For the first time in generations, the total eclipse would pass over the continental United States! Some people made pinhole boxes, like we used to in school. Some trekked down to Carbondale or Makanda in southern Illinois to join the crowds viewing the total eclipse – we didn’t go because all rooms were booked, but we vowed to go in 2024, when it will cross southern Illinois again! Some used colanders or their hands to see tiny crescents. A friend in Texas took this shot.
colander eclipse crescents-Amie R

Another friend journeyed down to Cherokee, NC which apparently was also in the path of totality. Before the total eclipse, she took this shot of crescents coming through the openings in a tree canopy.  Then she got a picture of the total eclipse.crescent shadows-Marge Smtih

total eclipse-Marge SmithMy photographer cousin who lives in Wyoming in the path of totality took this excellent picture.DSCN0306

Here in the Chicago area, we had 86% totality, but that didn’t stop anyone from having a good time! I worried about a shortage of eclipse glasses – I looked online but companies were charging hundreds of dollars for them! Luckily, my friend Betty and I went to the Chicago Botanic Garden, which was partnering with the Adler Planetarium to sponsor an eclipse viewing event – we were lucky to find both parking and eclipse glasses, which were being handed out free one pair per family.

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Happy me – I got eclipse glasses!!

The grounds at the gardens were crowded with people, who had brought lawn chairs or blankets to sit on (picnics were not allowed). The smell of cooking hamburgers wafted through the air as people stood in line to have lunch before the big event.

We attended a concert by a trio of musicians, one of them the composer of a piece written expressly for the eclipse. In his introduction, the composer said that, although we sometimes feel small, the eclipse lets us feel part of something bigger.

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All around the outdoor concert venue, people had set up chairs on the lawn and were getting ready. I heard one woman tell another, just around noon, that the eclipse was starting: “It looks like a cookie with a bite taken out of it!”

A pair of teenage girls and a mother and daughter figure out how to take pictures using their cell phones with the glasses over them. (Not only could looking directly at the sun when not totally eclipsed can damage your eyes, it can damage cell phone cameras as well.)

This guy was ready to take some professional-looking photos. On the right is the rose garden, a waiting crowd getting settled.

Meanwhile, the flowers and plants had a lot to offer in terms of beauty while waiting.

Betty and I finally chose a spot at the edge of a tree, but with a good view. Clouds were gathering and people worried about the eclipse being obscured by a cloud cover.

I settled into a comfortable viewing position, lying down with my head resting on my purse, and holding my eclipse glasses over my regular glasses.20170821_131032

Part of the time, it was clear enough to see the full eclipse, and I managed to take this picture using my cell phone, holding the glasses over the lens, while Betty clicked the button.  At first, I thought it was just a yellow blotch with a reflection of the sun’s rays at the left,
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but when I blew it up, I could see it was a perfect crescent!20170821_130602 (2)

Not bad for a cell phone!!

Soon afterward, during the period of 86% totality, a cloud cover began to obscure the sun, but the cool thing about it was that at first it was a thin layer of clouds and you could see the eclipsed sun right through it with your naked eyes!! I tried to take a picture of it but the clouds moved so fast. Still, if you look carefully to the left of the small light patch in the center of the photo below, you can see a faint partial crescent.
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After that, the sun completely disappeared behind a thick layer of clouds – we’d gotten to see the best part anyway! So we got up and went to have salads for lunch and then admired some more flowers before going home.

I am keeping the glasses for 2024 – Carbondale or Bust!!

 

Photo credits:
Amie Rodnick
Margaret Smith
Katherine Murray
Katy Berman, blog author

WPC: Structure of a Web

Two Septembers ago, I was taking a walk at 8:30 in the morning when a neighbor signaled to me to cross the street to look at something. As I approached, she said not to come any further, but just look. A spider had, overnight, spun this intricate web which stretched across the sidewalk, anchored by a tall milkweed plant and a tree. It was so delicate and complex – it’s always a wonder to me how a spider can spin such a large and beautiful design in such a short time. Yet this intricate structure, in all its beauty, is solely for the purpose of catching the spider’s dinner, and within a short time, due to other forces of nature, it will be gone. The author of this amazing structure is sitting right in the middle – perhaps she is resting after all that hard work!

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From the other side:

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Weekly Photo Challenge: Structure

Thursday Doors: Helio Oiticica

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Before building full sized structures that one could enter, Oiticica created 3D works such as this, which hangs from the ceiling.

For Norm’s Thursday Doors feature this week, I am contributing something somewhat different. On Tuesday, my husband and I visited the Chicago Art Institute. I was especially interested in a special exhibit by Brazilian artist Hélio Oiticica (1937-1980). Oiticica was born in Rio de Janeiro and during his 25-year career he created works to appeal to all the senses. Rather than paintings on a flat surface, his work featured structures that you can walk in, around, and on, to experience the space in a variety of ways.

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Dale stands next to the entrance to a small “bolide” – a 3D structure that is meant to be experienced in a variety of ways. We were not allowed to go into this one, however.

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Looks like a comfy mattress inside!

To fully appreciate “Tropicália” or “Eden” as this particular installation is called, you could take your shoes and socks off and walk around on the sandy surface – the same feeling you get when walking on the beaches of Rio de Janeiro. There were other surfaces too – gravel (hard on bare feet!), a bed of leaves, water, and more.

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This structure was in a large work entitled “Eden”, which combined different elements of the Brazilian tropics – sand, plants, parrots, water, music and poetry.

Other “rooms” to play in:

Partial views of the installation “Eden”:

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This structure with walls of cloth could be explored inside. It is meant to evoke the makeshift houses of the favelas, shantytowns.
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The doorway:

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Some homeless people in Brazil put up tents in parks, while others use tents to explore their country on the cheap. This tent in the “Tropicalia” installation contained headphones through which you heard a song being sung by the Brazilian singer Gal Costa.

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Yes, there were large green and yellow parrots too!

Another installation, called “Filter Project” had plastic colored sheeting at the entryways, so that what you saw was filtered through those colors. They represent the bright colors of the Brazilian urban landscape.  During Brazil’s military dictatorship, Oiticica spent several years living in New York. He created “Filter Project” in New York in 1972, for an exposition in Rio de Janeiro. This was the height of the dictatorship and the project is also an expression of his anger and concern for his country.

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While many of the installations are replicas, the one below is an original. It, too, is meant to be explored, but we could not go inside because the museum is making some adjustments to make sure it is strong enough to experience safely.

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The artist in New York in the 1960s:

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Music Conquers All: Remembering 9/11

Statue of Liberty Between Twin Towers, World Trade Center at Sunset, New York City, New Jersey,  New York, designed Minoru Yamasaki

Statue of Liberty and Twin Towers, World Trade Center at Sunset, New York City, New Jersey, New York, designed Minoru Yamasaki

The most moving and appropriate music to remember the tragic loss of life on September 11, 2001 is, for me, Adagio for Strings by Samuel Barber. I am including a link here to watch a YouTube video with footage from New York on that day juxtaposed with a performance of this beautiful piece. The music is full of longing and perhaps sadness, but also exquisite beauty.

Music is a way to counter acts of terrorism. It is an act of defiance, of courage. It inspires, it moves, it consoles. Music is something terrorism can never take from us. We are free to be inspired as we listen, play or compose it. Music can express our deepest yearnings in a language the entire world can understand.

Readers of this blog, please take time to watch and listen to the Adagio for Strings as you reflect on this 15th anniversary of 9/11. Let it inspire, console and move you. Music conquers all.

Adagio for Strings by Samuel Barber